The Village Vanguard, A Jazz Mecca

The Village Vanguard, one of New York's storied jazz venues, located on Seventh Avenue South, at 11th Street, in the West Village. Among the musicians who've performed there are Miles Davis (trumpeter), Sonny Rollins (saxophonist), Thelonious Monk (pianist), Carmen McRae (vocalist), Bill Evans (pianist), and Gerry Mulligan (saxophonist).

Blaming Long-Dead Architects For Creating Inaccessible Buildings

Alice L. Givan, an 80-year-old Brooklyn resident, wrote a letter-to-the-editor that was published in the New York Times (January 2, 2023) in response to an article on the paper's website about a 200-year-old Greenwich Village building that was demolished.

In her letter, Ms. Givan stated that she had "two points of view" on the matter. "I see beautiful, historic houses, and I feel dismay that one will be torn down." On the other hand, she "see[s] houses that are inaccessible" to the elderly and to "parents carrying children and groceries." 

She ends her letter by asking, "What were the architects who designed these houses thinking?"

Ms. Givan has made the mistake of projecting twenty-first century sensibilities, needs, and ways of doing things on to those who lived a century or more ago. When those "beautiful, historic houses" were built, the elderly more than likely lived with their family members who could assist them up and down the stairs and parents, particularly the well-to-do ones, could hire servants to handle the groceries and nannies to look after the children. Plus, there were deliverymen (presumably able-bodied) who brought the milk and butter, coal, blocks of ice, and other necessities to these residences.

Happy Pride Month 2018

I hope everyone has a happy pride month.

I'm looking forward to Stonewall 50 next year when we celebrate the 50th anniversary of the Stonewall uprising in Greenwich Village.

Get Ready For Stonewall 50!!

June 2019 will mark the fiftieth anniversary of the Stonewall riots in New York. Like the rainbow flag, the riots have a symbolic meaning within the LGBT community.

No doubt every cultural institution in the city will be doing their part to celebrate that momentous event considered by many to be the beginning of the modern gay rights movement. And no doubt the Gay Pride Parade will be super, super long in commemorating Stonewall.

About a year ago, I decided to visit the Stonewall Inn for the first time. I knew that the interior of the bar wouldn't resemble what it looked like in 1969 but that didn't matter.What was important was the fact that I was standing in an historic place that had brought about historic consequences. To me, being there was very satisfying and gave me the opportunity to pay tribute to those who stood up against police mistreatment of LGBT people.

When New York Rents Were Cheaper

It's hard to believe sometimes that at one time people in New York City paid, at least by today's standards, much more affordable rent. They weren't paying two-thousand or three-thousand-dollar rent to keep a roof over their heads.

In author biographies that I recently read, I learned, for example, that Shirley Jackson and her husband, Stanley Edgar Hyman, in October of 1943, in Greenwich Village, were paying $75 a month for a second-floor apartment.

Howard Fast, his wife, and one-year-old daughter moved into a 13-room duplex apartment on Central Park West, where the rent was $154. (Imagine that!)

Allen Ginsberg paid one-fourth of his monthly income as a newspaper copy boy (which was $120) for an apartment on the Lower East Side that he shared with fellow scribe William Burroughs. His rent payment was $30.

Robert Gottlieb , the book and magazine editor, lived on the top floor of a brownstone on St. Mark's Place, in Greenwich Village, with his wife and young son. Their monthly rent was $96.

James Baldwin, when he lived on Horatio Street, also in Greenwich Village, according to his biographer David Leeming, "paid $100 a month for three large rooms."

I'm sure that back then those rents weren't considered cheap since people didn't make as much money as they do now. But if current rents were comparable to those in the 1940s and 1950s, there would be much less homelessness in New York City.

James Baldwin's Former Home In Greenwich Village

Last month, I went to Film Forum to see I Am Not Your Negro, Raoul Peck's extraordinary Oscar-nominated feature-length documentary. It is based on James Baldwin's outline for a book that was never completed. The book was to be about the civil rights movement, American race relations, and the assassination of his friends, Medgar Evers, Malcolm X, and Martin Luther King, Jr.

After seeing  I Am Not Your Negro, I went to the men's room. On my way out, I saw several pieces of film-related literature. The only exceptions were some cards distributed by the Greenwich Village Society for Historic Preservation. In the center of each card was a color photograph of the bronze plaque placed by this organization on the facade of 81 Horatio Street. The plaque commemorates James Baldwin, who lived in the building from 1958 to 1961.

One of Baldwin's biographers, W.J. Weatherby, mentioned this residence in the biography and wrote that "Baldwin's apartment was two flights up in a rather drab building." Despite the building's drabness, this was one of the places where he wrote the novel, Another Country, published in 1962.

This townhouse, noted the card, "is a touchstone to Greenwich Village's history as an artist incubator, a progressive refuge, and an inclusive haven."

There is a Google map on the reverse side that has a long red line that extends from Film Forum's location on Houston Street to the Horatio Street building."Visit today," encouraged the historic preservation society via the message on the card, "and pay your respects to one of the Village's greatest and most influential residents." (www.gvshp.org)

I haven't visited the site yet, but I intend to when the weather gets warmer.

Creating A Shelter For Those With AIDS

"...AIDS is a terrifying disease in several respects. One of the most terrifying elements, however, aside from the fear of disease, infection and death, is the specter of utter loneliness that accompanies AIDS. For one who is in the grips of such threatening disease, to have no home in which to recover, in which to feel safe or in which one can die with dignity magnifies this terror considerably."--Mark S. Senak, AIDS Resource Center (from his testimony before the Committee on Health of the City Council, New York, January 4, 1985).

"If you know someone who is sick with AIDS, do not be afraid to touch them. And being silent is not being kind. Call them up, visit them, hold their hand, touch them, let them know you care. Hope is important to us. Because of this health crisis, gay people are beginning to see that we are more alike than we are different. That we have to help ourselves. Let us be a family for each other."--David Summers, Gay Men's Health Crisis and People With AIDS (from a speech he delivered at the Jerry Falwell protest outside Town Hall in New York, December 10, 1984).

Mark S. Senak, a 29-year-old lawyer, is the vice chairperson of the New York-based AIDS Resource Center, Inc. (ARC), described in its literature as "a non-profit, charitable organization dedicated to serving ambulatory men and women who are in need of resources and/or shelter in an AIDS crisis situation on a case by case basis, without regard to race, creed, or sexual orientation." ARC, in collaboration with the Gay Men's Health Crisis, is attempting to establish New York's first shelter for homeless people with AIDS. (A number of fundraising events have been held in gay-frequented establishments, such as Ty's bar in Greenwich Village, to help ARC and GMHC realize their project, including benefit performances of City Men, a romantic comedy with gay characters, by Philip Blackwell and Laurence Senelick, which drew in over $11,000.) "The first residence will be, among other things," says an ARC flyer, "the direct manifestation of a community's love and care for the afflicted."

Senak, a native of Granite City, Illinois, graduated from Brooklyn Law School. He previously worked as a lawyer in a large investment firm. In August 1984, he started his own law practice on lower Madison Avenue, handling mostly civil cases.



Charles Michael Smith: How did ARC get started?
Mark S. Senak: Actually it was almost two years that a group of people started thinking ahead and thinking about the housing issue and actually sort of planning for the future and seeing that the health crisis would probably produce a lot of homeless people in that it costs so very much to get one's medical care and because of the fear that families are going to have and things like that that they decided to get together and start ARC. One of the principal people to start it is named Buddy Noro. He was the first chairperson of ARC. They began it and began fundraising.
In the last year, we gave away $30,000 to individuals who were having financial difficulties. Some of the people involved initially were ministers. One of them in particular, Mead Bailey, was a principal starter of ARC and a real heartbeat of ARC.

CMS: ARC has three goals. One of them is to establish a shelter for the homeless.
MSS: Right. That's our primary goal. The other is to continue with our direct funding of persons with AIDS. The grants that were being given were grants of $500 and could be used to pay rent or medicine or sometimes even utility costs, if they had not been paid and they were turning off the electricity or some such thing. The third one is the religious advisory committee which is this committee started by Mead Bailey. He began a program of spiritual and pastoral care for persons with AIDS so that if someone's in the hospital with a life-threatening disease, they're often thinking about perhaps dying and what that's going to be like and maybe begin to turn back to some sort of spiritual thinking. Given the nature of relations between gay people and the churches, generally it isn't too good. So Mead started this program whereby if a person wanted to see a minister of their faith or priest, he would be able to put them in touch with somebody who wouldn't be telling them they're damned to hell and that this is God's angry judgment on them. There would be somebody who would be sympathetic and understanding and, in fact, very, very good for the person to talk to as opposed to somebody that they would be afraid of or [who would] begin dredging up any of the reasons for bad relations between gay people and the church.
Mead's program was expanded so that now there's a speaker's bureau that travels to different churches.
Mead died subsequently [from] a heart attack. Of the principal people that started ARC, three are now dead--two with AIDS and Mead with the heart attack.

CMS: You testified recently before the New York City Council's Committee on Health about the need for this shelter. What was the committee members's reactions?
MSS: It was very discouraging. I was discouraged by the whole thing because I sensed a certain hostility from the chairman of the health committee to many of the speakers and in particular to the issue of housing. One question that was asked of me was "What makes your minority so special?" I didn't say it at the time and I'm really upset that I didn't. As soon as I walked out the door, I thought of what I wanted to say: "What makes us special is that we're dying." It astounded me that he would say something like that. I was rather dumbfounded when he asked that.

This is an excerpt from an article that was originally published in the New York Native in 1985.

The Ups And Downs Of A Gay & Lesbian Film Festival

The New York International Festival of Lesbian and Gay Films, the culmination of a two-year search and acquisition project, comes at a most timely moment--the celebration of the 20th anniversary of the Stonewall Riots in Greenwich Village (in which dozens of gay men, many of them drag queens, fought the police back in a raid on a gay bar called the Stonewall Inn) out of which emerged the gay liberation movement.

The festival, an outgrowth of that movement, and the first of its kind in nearly two and a half years, will screen 45 movies, in 77 screenings, during its June 7-20 [1989 ] run at the Biograph Cinema (255 West 57th Street, at Broadway). "We planned it for the month of June," said festival producer Susan Horowitz, the owner of Tower Press, a printing firm that publishes the annual Gay Pride Guide, "to tie into the other cultural emphasis around Stonewall."

While she busied herself with the task of lining up financial backers for the festival within the gay community, her partner John Lewis, who, quipped Horowitz, calls himself "an old movie queen" because of "his passion" for film, "traveled to Berlin and to other film festivals, and was able to see a lot of material."

One of the gems acquired is the 1989 British documentary Desire by Stuart Marshall which discusses through on-camera interviews, stills, and archival footage homosexuality in Germany before and during the Nazi period. (It will be shown opening night for a special screening to benefit the Gay Community Center on 13th Street.)

Said Horowitz: "We had a commitment about a film on Langston Hughes's life by an English filmmaker [Isaac Julien's Looking for Langston] that we were very excited about being able to find on such short notice but it was taken away from us because they decided to hold out for the New York Film Festival which is certainly their prerogative."

The painstaking efforts of Susan Horowitz and John Lewis have paid off in media attention and positive feedback from "the gay community at large," beamed Horowitz. However, there is a downside, too. The New Festival, the sponsors of the event, have sent out via mail, 25,000 copies of the catalogue. Only 32 have been returned requesting that the recipient be removed from the mailing list because they felt that the catalogue--which others have praised for its graphic design--was "disgusting." Horowitz and her cohorts were dismayed to the point of shedding tears, despite the fact that this manifestation of gay self-hatred represented only "a very small percentage."  It became evident to Horowitz that 20 years after Stonewall, there was still "a long way to go" in bolstering gay pride. "That's why a film festival is essential, a community center is essential in every city of every type."


This slightly condensed article was originally published in the Philadelphia Gay News (June 9, 1989).

An Underground Hideaway

Now that the AIDS epidemic has entered its second decade, more and more plays like Michael Fife's The Hideaway Hilton, will appear on Off Broadway and Off Off Broadway stages to explore the worrisome issues of internment and quarantine.

In The Hideaway Hilton, which ran for three weeks at the Theatre of 224 Waverly Place (Greenwich Village), six characters have hidden in an underground bomb shelter to escape the intensive roundup by the authorities of all those infected with an unnamed disease (probably AIDS, to judge by the symptoms alluded to).

With an ear always to the door for the dreaded knock that never comes, the characters--a male escort of rich old ladies, a yuppie couple, a gay man from the Deep South, a lesbian hack writer, and a young woman (under whose house the bomb shelter is located)--while away the monotonous, fearful days underground playing board games and movie trivia, revealing their most intimate secrets, and fighting (verbally and physically) with each other.

The play would have been more poignant had there been more of a gloom-and-doom ambiance and less campiness, particularly from Fife, whose voice and mannerisms bespoke a gay man rather than a fabulously gorgeous hunk who swept women off their feet.

This article was originally published in the New York Amsterdam News (November 21, 1991).