Giving Credit Where It's Due

Todd Boyd in his theroot.com article discussed the demise of Vibe magazine. He called the hip-hop culture publication "the brainchild of Quincy Jones." I have no problem with that but he completely overlooked music journalist Scott Poulson-Bryant, a founding editor of the magazine. Poulson-Bryant, an openly gay man, stated in his book Hung: A Meditation on the Measure of Black Men in America (Doubleday, 2005) that "I named Vibe magazine Vibe." Hip-hop culture is notoriously homophobic and it would have been a good idea to acknowledge that a major publication devoted to it was named by a member of a much-maligned but influential group. Let's give credit where it's due.

Saturday Is Record Store Day

I still cherish the cover art and sound of vinyl records even though it has been many years since I set foot in a store that sold only records and accessories like phonograph needles and spindle adaptors (used to play donut-shaped 45 rpm records). Plus many of the stores in New York that I patronized like Discomat, King Karol, and Colony are long gone. Target is the only store I've been to where I've seen a vinyl record like Marvin Gaye's What's Going On for sale (at double or triple the original price). But no one would consider Target a record store.

That brings me to why I'm writing this blog post. It's to remind you that Saturday, April 18, is Record Store Day. So anyone fortunate to have a record store near them can stop by and buy a vinyl record or more.

Thankfully, I had the good sense to hold on to my LPs and 45s. I'm now able to play them on a portable record player that I bought at a now out-of-business Bed, Bath, & Beyond store in Harlem seven or eight years ago. The record player plays records in all three speeds-- 33, 45, and 78.

A little more than two weeks ago I found on 106th Street, near Columbus Avenue, some discarded records. The albums that interested me the most were the ones by such jazz notables as Charlie Parker, Johnny Hodges, Louis Armstrong, and Duke Ellington. In that pile of records was a five-disc set called Collector's Classic History of Jazz, as well as Igor Stravinsky's Rite of Spring, one of my favorite classical music compositions. On the record, Stravinsky conducts the orchestra.

Jazz Music's Special Month

Since April is National Jazz Appreciation Month, there are many ways for die-hard jazz lovers  to celebrate this iconic, American-born music's global reach and influence. Among those ways are attending a live performance (in a club or outdoors); financially supporting a jazz radio station like Newark, New Jersey's WBGO; buying a jazz record or CD; watching a jazz-related movie (fictional or documentary); reading a history book on jazz or a biography of a jazz great like Sarah Vaughan, Thelonious Monk, Duke Ellington, Miles Davis, Billie Holiday, Louis Armstrong; buying a postcard, poster, or artwork with a jazz theme.

Let's help make this month a truly memorable Jazz Appreciation Month.

Don't forget that April 30 is International Jazz Day and is celebrated in various countries around the world. In 2011, that day was declared as such by UNESCO (the United Nations Educational, Scientific, and Cultural Organization).

Happy Jazz Appreciation Month!

Radio Before The Internet

Back in the day, a radio buff like me could sit up late at night to hear radio stations as far away as San Francisco, Spokane (Washington), and Oklahoma City. Listening to those stations brought me joy although it could be a frustrating experience because of the static and the fading in and out of the radio signals. How clear they sounded depended on the station's distance from my home, which at the time was in Southern California. Stations like KOGO and KFMB in San Diego came in clearer because they were in a city closer to the Los Angeles area.

If the Internet had existed in the 1960s, I would have been able to hear all the disc jockeys I read about in the national music magazines like Teen Life. Among those deejays would have been Jerry Blavat (Philadelphia), Ron Riley (Chicago), Arnie "Woo Woo" Ginsburg (Boston), Johnny Rabbitt (St. Louis), Hal Jackson (Newark, New Jersey), and Murray the K (New York). I would have had a ball.

It's possible now to hear many of these radio personalities via archived airchecks on YouTube and other websites, but it's not the same as hearing them in real time. Unfortunately, many of these deejays are no longer alive.

One of the deejays I was able to hear clearly was Wolfman Jack when he had yet to become a household name. He played R&B (or soul music) on a super powerful Mexican station, XERB. At the time I thought he was black because of his gravelly, down-home way of talking. I later learned he was a white guy whose real name was Bob Smith. That didn't bother me, he became one of my favorite deejays.

Show Your Love For Jazz

April is Jazz Appreciation Month. It was created at the Smithsonian Institution's National Museum of American History in 2001. According to Wikipedia, the aim of the celebration was "to be an annual event that would pay tribute to jazz as both a living and as a historic music."

Among the many ways to appreciate this American-born music, you can attend a jazz performance, buy or listen to a jazz recording, buy a jazz-related poster, support a jazz radio station like WBGO in the New York metropolitan area, wear a jazz-related T-shirt, watch a jazz video online, buy a jazz-related postcard, read a biography of a jazz musician.

Sarah Vaughan's Birthday Is Today

The extraordinary jazz vocalist Sarah Vaughan (1924-1990), known as "The Divine One," was born on this day. Vaughan, a native of Newark, New Jersey, where there is a street named for her, would have celebrated her 101st birthday.

Keeping An Open Mind

"To be a great musician, you've got to be open to what's new, what's happening at the moment. You have to be able to absorb it if you're going to continue to grow and communicate."--Miles Davis (1926-1991), jazz trumpeter.

Quoted in Black Pearls: Daily Meditations, Affirmations, and Inspirations for African-Americans by Eric V. Copage (Quill/William Morrow and Company, 1993).

The above photo is of the storied New York jazz venue, the Village Vanguard. Miles Davis was one of many iconic jazz musicians who performed there.

The Divine Sarah

Queen of Bebop: The Musical Lives of Sarah Vaughan by Elaine M. Hayes (Ecco/HarperCollins, 2017) is a true page-turner. One memorable scene is the one in which Sarah Vaughan and her bandmates were touring the South in the band's bus in, I think, the 1950s. A vehicle rode alongside the bus and one of its occupants started shooting at it. Everyone quickly ducked for cover. Miraculously no one was hit. One of the perils of being black Down South at that time.

A Humorous Prediction?

Is this a humorous prediction for Sean "P. Diddy" Combs? His 2014 honorary doctorate from Howard University in Washington, D.C., was taken back because of what the administrators called behavior that they considered  "fundamentally incompatible with [the university's] core values and beliefs." In addition, they returned his one-million-dollar contribution.

Combs had been caught on a 2016 hotel surveillance video brutally assaulting his then-girlfriend, Cassie Ventura.

It has also been alleged that he was involved in sex trafficking.

A Desert Island Disc

This Al Jarreau album, Breakin' Away, released in 1981, is one of the jazz albums I would want to have with me if I were stuck on a desert island. (My favorite song on the album is "Roof Garden," a foot-tapping number.)

As you can see, Jarreau, who died in 2017, unlike many men, was not afraid to be seen wearing pink, especially on an album cover.
 

The "Summer Of Soul" Movie

 

Summer of Soul, released in 2021, is a movie I hope to see on a DVD. It's a documentary about the Harlem Cultural Festival in 1969. Among the performers who appeared on stage were Stevie Wonder, Sly and the Family Stone, Nina Simone, B. B. King, and Mahalia Jackson. The above wall mural appeared on the side of a building that's located on the corner of West 124th Street and Lenox Avenue in Harlem. The building is one block from Mount Morris Park (renamed Marcus Garvey Park), where the historic event took place.

The Dave Brubeck Quartet's Classic "Time Out" LP

Time Out, recorded in 1959 by the Dave Brubeck Quartet, is one of my favorite jazz albums. ("Take Five," the hit jazz tune, is on the album.) I have both the long-play vinyl record and the CD. 

Brubeck in the CD's liner notes said that "[c]reating a 'hit' out of the odd-meter experiments of Time Out was the farthest from any of our minds...when [we] went into the studio to record."

I love the above photo. It appears in the reissued CD's booklet. Paul Desmond, the alto saxophone player as well as the composer of "Take Five," did his own thing by wearing a suit and tie and didn't try to copy what his bandmates wore. He was cool and confident.

The Village Vanguard, A Jazz Mecca

The Village Vanguard, one of New York's storied jazz venues, located on Seventh Avenue South, at 11th Street, in the West Village. Among the musicians who've performed there are Miles Davis (trumpeter), Sonny Rollins (saxophonist), Thelonious Monk (pianist), Carmen McRae (vocalist), Bill Evans (pianist), and Gerry Mulligan (saxophonist).

Harry Belafonte, The King Of Calypso, Dies At 96

Rest in peace and power Harry Belafonte (1927-2023). He was known as a singer, an actor, a civil rights activist, a humanitarian, and a son of Harlem.

Today I dusted off an old paperback biography called Belafonte: A Tough Kid from Harlem Goes to Hollywood by Genia Fogelson (Holloway House Publishing, 1980). The book is probably out of print but has a useful (although obviously incomplete) discography and filmography in the back. (Copies of the book are available on Amazon but not at its original price of $1.95. One copy is priced at $25.00, another is being offered for $28.98.)

A Biopic About An 18th-Century Black Violinist In France

As soon as I read in The New Yorker (March 13, 2023) that a biopic called Chevalier, about an 18th-century black violinist and composer, was slated for release in April, I wasted no time going to my bookshelves.

The book I took down is my go-to reference on blacks in the classical music world, the late Raoul Abdul's Blacks in Classical Music, published in 1977 by Dodd, Mead & Company. (Abdul was the music critic at the New York Amsterdam News.)

I turned to the chapter on Chevalier de Saint-Georges (1739-1799). He was born on the Caribbean island of Guadalupe to an African mother and the French governor of the island. (The movie synopsis described the father as a plantation owner.)

After reading the chapter, I could see why the director, Stephen Williams, chose this historical figure, played by Kelvin Harrison Jr., to make a movie about. Saint-Georges had a larger than life persona during his lifetime. He was a brilliant violinist who, wrote Abdul, "acquired a mastery of that instrument comparable to the best of his day." Saint-Georges also was "an outstanding swordsman, a brilliant conversationalist, and altogether the darling of French society."

Will people out of curiosity see Chevalier in large enough numbers to make it a hit? Who knows? Judging by the comments left on the movie's trailer page, there is a lot of interest in seeing it. And maybe that interest will encourage concert halls around the world to showcase his music.

Jazz In 34 Volumes

One of my favorite reference books is the Random House College Dictionary. That book defines the word "discography" as "a descriptive list of phonograph records by category, composer, performer, or date of release."

Why am I talking about this word? Well, for one thing, I am a music lover, especially of jazz. Secondly,  I am interested in the minutest details about sound recordings. And thirdly, the Japanese novelist Haruki Murakami told the New York Times Book Review's "By the Book" column (November 20, 2022) that he owns The Jazz Discography, a 34-volume set compiled by Tom Lord.

"It takes up a lot of space," he said, "and I imagine most people would find it unnecessary to own, but for jazz collectors it's a real treasure, the painstaking result of years of work."

And no doubt the whole set would cost a jazz enthusiast a small fortune.

I would love to see one of these volumes, just to browse through its pages and immerse myself in its encyclopedic range and scholarship. Contained in those 34 volumes is presumably every, or almost every, jazz recording from the music's infancy to more recent years. That would include famous works, lesser known ones as well as those long forgotten. I would especially want to read the entries for Time Out by the Dave Brubeck Quartet (1959), one of my favorite recordings, and Miles Davis's Kind of Blue (1959), for example, to learn some little known facts about them.

The Jazz Discography, which is available in the New York Public Library, would allow me to finally gain enough jazz knowledge to be able to complete, with more ease and confidence, the esoteric crossword puzzle that appears each month in the New York City Jazz Record.

A Romance Story Told Via Song Titles

After I read Amanda Holzer's short story, "Love and Other Catastrophes: A Mix Tape" in the anthology, The Best American Nonrequired Reading 2003, edited by Dave Eggers (Houghton Mifflin), it became a story I wish I had written.

The story, originally published in Story Quarterly, follows a romance from beginning to end through a series of song titles and the musicians who recorded them.

It starts off with "All By Myself, Eric Carmen. Looking for Love, Lou Reed. I Wanna Dance with Somebody, Whitney Houston. Let's Dance, David Bowie. Let's Kiss, Beat Happening. Let's Talk About Sex, Salt 'n' Pepa. Like a Virgin, Madonna. We've Only Just Begun, The Carpenters. I Wanna Be Your Boyfriend, The Ramones. I'll Tumble 4 Ya, Culture Club. Head Over Heels, The Go-Go's. Nothing Compares to You, Sinead O'Connor. My Girl, The Temptations. Could This Be Love? Bob Marley. Love and Marriage, Frank Sinatra." And ends several songs later with "I Will Survive, Gloria Gaynor. Hit the Road, Jack, Mary McCaslin and Jim Ringer. These Boots Were Made for Walking, Nancy Sinatra. All Out of Love, Air Supply." Finally ending with the song the story began with, "All By Myself, Eric Carmen."

Altogether about fifty songs, crossing different musical genres. Wow, what an ingenious, inventive way to tell a story, making it a fascinating and humorous journey. You could probably do the same thing with book titles as well.

In fact, in the "Contributors' Notes" in the back of the book, the reader is told that Holzer "encourages you to create your own mix-tape tale." Why not?

Composer Billy Strayhorn Was Never In The Closet

A biopic about composer and pianist Billy Strayhorn, Duke Ellington's friend and musical collaborator, is long overdue.

In the 1990s, director Irwin Winkler was set to turn David Hajdu's biography of Strayhorn, Lush Life (Farrar, Straus and Giroux, 1996), into a movie. It never happened. I remember Winkler being quoted in a newspaper interview as saying that Strayhorn was not open about his homosexuality. Clearly Winkler hadn't read the book. I, who read a significant portion of the book, learned early on that Strayhorn was very much open about his sexuality.

"...Strayhorn," writes Hajdu (pronounced Hay-doo) on page 79, "made himself a triple minority: he was black, he was gay, and he was a minority among gay people in that he was open about his homosexuality in an era when social bias forced many men and women to keep their sexual identities secret."

Maybe it was a good thing that the movie was never made. Who knows what other inaccuracies would have crept into the script.

In the right hands a Strayhorn biopic could become a powerful and memorable cinematic experience. Someone like director Barry Jenkins (Moonlight and If Beale Street Could Talk) might be that someone who could accurately bring Strayhorn's life and musical achievements to the big screen.

The big question then becomes this--who would be a good candidate to play Billy Strayhorn?

The Man Who Coined The Word "Gig"

During the early days of the COVID-19 pandemic, when millions of people nationwide were laid off their jobs and had to apply for unemployment benefits from the state and federal governments, there was talk of including people who were part of the gig economy. These individuals, called gig workers, ordinarily didn't qualify for unemployment, because they were not on anyone's payroll. They were freelancers, independent contractors. Due to the unusual circumstances brought on by the pandemic, they got to collect unemployment checks.

That brings me to the origin of the word "gig." While reading a book called Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way by Caseen Gaines (Sourcebooks, 2021), I learned where the word came from. It's "a term," writes Gaines, an award-winning New Jersey-based author and journalist, "[African-American band leader James Reese] Europe coined [in the late nineteen-teens] to describe a one-night performance, which quickly caught on in the jazz community."

Now we know who should receive credit for creating "gig," a word that has become applicable to people both inside and outside of show business.

Let's Hope For An Al Jarreau Biography

I recently joined a Facebook group devoted to the jazz singer Al Jarreau, who died in 2017. It's called the Al Jarreau Family Group and has more than 32,000 members who post comments, photos, album cover art, videos, and anything else that's Al Jarreau-related.

I began listening to Jarreau in the mid-seventies when I bought his album Glow, which, according to Wikipedia, was his second album. It was released in 1976. I believe I bought the album at a Discomat chain store in the Times Square area. From that point on, I became an Al Jarreau fan.

Because there are so many people who cherish his singing talent, I posted on the site a question: "Does anyone know if there is a biography of Al Jarreau in the works? Or maybe a scrapbook publication or a special magazine issue about him?"

A day later, Shannon West, who publishes a website called jazzseries.com/wordpress, responded: "The posts he did over the years when he was doing the diary/journal/blog narrative on his website gave such wonderful insight into what he was doing at the time--traveling, recording, touring, etc.--and he writes narrative as expressively as he writes songs. I wish they could dig up the archives and compile them....Nobody could write Al better than Al so my vote is to edit and release the 15 years or so of archival posts."

I think that would be a wonderful idea including photos, song lyrics, diary entries, correspondence, etc. That could all be part of a special collectors issue magazine. On the cover could be photographer Richard Avedon's black-and-white photo of Jarreau from the front cover of his 1980 album This Time. I bet the issue would sell out immediately and require several reprintings.