Cloris Leachman's Lapse Of Memory

While listening to the BBC News on New York's public radio station WNYC-AM 820, I heard that the TV actress June Lockhart (Lassie and Lost in Space) had died at the age of 100. The mention of her death brought to mind the time I had proofread Cloris Leachman's memoir, Cloris, for Kensington Books in 2008 or 2009 and pointed out a factual error.

In the manuscript, Leachman said that she replaced June Lockhart as the mother on Lassie. For verification, I went to The Complete Directory to Prime Time Network TV Shows, 1946-Present by Tim Brooks and Earle Marsh (Ballantine Books, 1979). I found out it was the other way around--Lockhart had replaced her on the show.  I then corrected the error with my red pencil, citing the source of the correct information. 

Leachman, in her 80s when the memoir was about to come out, obviously had a lapse of memory. (The book, it should be noted, was actually ghostwritten by her ex-husband, the film director George Englund, who later died in 2017.)

**I previously wrote about this subject for the blog on February 17, 2021. To see this blog post, click on "Cloris Leachman" in the Labels section below.

Hold That Pose!

There's a scene I absolutely love watching that's in "Mother of the Year," the eighth and last episode of Season One of Pose, the FX television drama series about the black and Hispanic LGBTQ drag ball/voguing world. 

Billy Porter's character Pray Tell, the emcee/DJ, calls out to the participants on the dance floor to "Pose. And pose. And pose. And pose." Each time he says those words, everyone on the floor changes their pose and holds it.

It reminded me of when I attended the 75th Street Elementary School in South Central Los Angeles in the  1950s and 1960s. Every morning in the schoolyard, when the first bell rang, someone, probably the principal, shouted over the public address system, "FREEZE!" Everyone, including the teachers, no matter what they were doing or where they were standing in the schoolyard, became living statues. We would hold that pose until the second bell rang. 

My mother got a kick out of seeing this morning ritual because it was such an unusual sight at a public school.

The Life And Murder Of A Gay Actor

Scott Simon, the host of NPR's Weekend Edition, recently did a fifteen-minute segment in which he interviewed the novelist Thomas Mallon about his latest book, Up With the Sun (Knopf, 2023).

The book is a biographical novel about Dick Kallman, a closeted gay former TV and movie actor-turned-antiques dealer, who was murdered along with his life partner Stephen Szladek in February 1980 in their Manhattan apartment by three burglars. (Both men were gunshot victims.) The trio stole paintings, jewelry, and other items from the apartment. They were later caught and convicted but the stolen items were never recovered.

When Mallon mentioned that Kallman was the star of the short-lived sit-com called Hank (1965-1966), it didn't ring any bells for me until I read a description of the show on Wikipedia and IMDb.com. Kallman played Hank Dearborn, a young man thirsting for higher education, who illegally audits college classes by assuming the identity of absent students, with the help of a professor, played by Lloyd Corrigan.

In 2010, an anonymous commenter on the website datalounge.com, which ran a brief mention of the murders and theft, asked, "Was there ever a book written on the crime?" The answer now is an emphatic yes, although the book is a fictionalized story. Maybe Up With the Sun will inspire someone to do a true-crime retelling. In the meantime, I'm hoping the book, described by the publisher as "part crime story, part showbiz history, and part love story," will be as enjoyable as other fictional Hollywood books such as When the Stars Come Out by Rob Byrnes (Kensington, 2006) and Father of Frankenstein (later renamed Gods and Monsters when it became a film) by Christopher Bram (Dutton, 1995).

Must-See Television Shows

Once in a while a show will come on that's must-see TV. For me, it was Dallas in the 1970s and '80s; Lou Grant in the '70s, a series about reporters at a Los Angeles daily newspaper; City of Angels, a 2000 series set in an urban hospital, with a mostly African-American cast (it lasted two seasons); and Smash (2012-2013) which concerned itself with the behind-the-scenes drama of  mounting a Broadway musical about Marilyn Monroe called Bombshell. Other shows in the must-see category are Monk, Mad Men, and the reality shows Queer Eye for the Straight Guy (the original version) and Shark Tank.

Lately, it's been the weekly night time soap opera Saints & Sinners on the Bounce channel. When I began watching it last year, I thought it was a new series. Consulting the entertainment website IMDb, I learned it debuted in 2016.

Set in a Georgia town called Cypress, the mostly African-American characters are every bit as corrupt, conniving, backstabbing, adulterous, and homicidal as any characters in a white night time or daytime soap. And each week I'm glued to my TV set eager to find out what happens next.

I'm not sure if Saints & Sinners is a candidate for an NAACP Image Award. After all it does depict African-American characters unfavorably. But let's face it, black people in real life are not angels. And there are people in the black community who are corrupt, ruthless, greedy, and murderous. In other words, not nice people. It's foolish to pretend that such people don't exist among us. In fact, it's good to see a show about African-Americans that's not a clown show, that shows us as being human, warts and all, like every other ethnic group in America.

Proofreading Cloris Leachman's Autobiography

Among the last books I proofread at Kensington Books was actress Cloris Leachman's autobiography called Cloris, which was actually ghostwritten by her husband, George Englund, who predeceased her. (Ms. Leachman recently died at age 94.) It was the first and only celebrity autobiography I ever proofread.

She was in her 80s at the time (this would be around late 2008 or early 2009) and I guess because of her age, she misremembered certain things. Whenever there was a factual error, I pointed it out on the galley proof. The one error I remember correcting was the one where she said she replaced June Lockhart as the mother on the television series Lassie. Actually, it was the other way around, it was Lockhart who replaced her.

While visiting the Countee Cullen branch of the New York Public Library in Harlem, about two or three years later, I found a copy of Cloris on the shelf in the Biography section. Skimming through the book, I couldn't find that particular error. Maybe they deleted it from the finished book. Or maybe the correction was there and I couldn't find it among the thousands of words because I couldn't remember the page it appeared on. Unfortunately, I neglected to photocopy those pages for future reference. Anyway, I might try to track the book down and do a careful page by page search for that correction.

Some Random Thoughts

Now that winter is here, the one good thing about it is I don't have to worry about a container of ice cream melting before I get home.

Is there an app for locating public restrooms in  New York City?

Maybe one day porn DVDs--gay, straight, and bisexual--will feature audio commentaries by the models and the directors and have behind-the-scenes footage. They already feature trailers. Also, will 3D porn movie theatres be the next craze?

Isaac Hayes and Lou Rawls began some songs with a long monologue. Shouldn't they be considered the first real rappers?

Have the people who call New York the world's greatest city been to every city in the world?  That's like a restaurant having a sign in the window that says "We Have The Best Hamburgers In Town." Have they eaten in every restaurant in town? How do they know?

When a pharmacy puts the word "Chemists" in their name, it sounds like they have test tubes and other lab equipment in a back room.

Mad Men, the dramatic television series about the advertising business in the 1950s and 1960s, during its seven-season run on AMC, took viewers back to a time when men knew how to dress: fedoras, three-piece suits, cuff links, and shoes, not Nike sneakers.

Revisiting TV's First Golden Age

 Ben Brantley, a New York Times drama critic, wrote an article that appeared in the Arts & Leisure section (August 30, 2020) with the headline, "Enjoying Live Theater, Decades Old."

Since Broadway shows are shutdown until January due to COVID-19, Brantley has had to content himself with watching plays that were originally broadcast live in the 1950s during what has been called the Golden Age of Television, via YouTube.

He recalled when he was five years old walking into his family's living room in Winston-Salem, North Carolina and seeing what he later learned was the tail end of Henrik Ibsen's "A Doll's House," starring Julie Harris and Christopher Plummer. He remembered their characters arguing which left him "both upset and enthralled by what I had witnessed."

No doubt this televised performance planted the seed of theatregoing in his mind that later blossomed into a (so far) 27-year career as a drama critic.

His depiction of the racial landscape on television in those long ago days caught my attention: "...the faces on the screen are still overwhelmingly white, a reminder that the United States was still very much a culturally segregated nation."

I think it was the black writer John Oliver Killens who wrote that blacks on TV were so rare that whenever a black performer came on the screen, black people all over America would race to their TV sets to see them.

Accompanying the article were three black-and-white photos (one of them of writer Rod Serling) from the 1950s. The photo I found the most arresting was the one of the actors seated around a table during a rehearsal of "Twelve Angry Men" in 1954. The photo caption says the rehearsal was for CBS's Playhouse 90. Actually, it was for Studio One. According to The Complete Directory to Prime Network TV Shows, 1946-Present by Tim Brooks and Earle Marsh (Ballantine Books, 1979), "Reginald Rose contributed teleplays for Studio One and it was Rose's 'The Twelve Angry Men' in 1954 that won Emmys for writing (Rose), direction (Frank Shaffner), and performance by an actor in a drama (Bob Cummings)." 

Behind the actors are three cameras and crouching down behind one of the cameramen is a black man in short sleeves and wearing a headset. Although television back then was "overwhelmingly white," here was this black man (and possibly a second one in a far corner holding what looks like a still camera). But definitely the one behind the white cameraman is black.

Who was he? What was his job title? How did he get hired as a crew member on a major network show? What became of him? Did he encounter racial discrimination and racist comments while on the job? Does his name appear in the end credits? I have so many questions.

Just seeing him in the photo was a pleasant discovery. Who knew there was at least one black person among the crew members working on plays for the anthology series Studio One? He would have been, to reference a James Baldwin essay, a fly in buttermilk.

Hollywood Honesty

From among some old newspaper and magazine clippings, I came across this quote that appeared in a brief news item in TV Guide (December 10, 1988) about actor Scott Valentine, who was a cast member of NBC's Family Ties.

In the article he stated that "Men run the studios and the networks, and that makes it easy to be a white male in this world."

More than thirty years later, people in Hollywood are still talking about the lack of racial and gender diversity, especially behind the camera and in the executive suites.

Books Are Still Valued

The coronavirus pandemic has forced many television interviews to take place via Zoom or Skype videoconferencing from the homes of both the interviewer and the interviewee instead of in a broadcast studio. This offers viewers a small glimpse into the home decor of all those involved.

As a book lover, the one thing that caught my attention are the many bookshelves that appear in the background, filled with rows of books. If the physical book is on its way out, you wouldn't know it judging by the screen images shown each night. For example, Judy Woodruff, the anchor of the PBS News Hour, sits each night with her bookcases behind her and Rafael PiRoman, one of the co-hosts of the evening news program, Metrofocus on New York's WLIW, Channel 21, has a massive wall of books that towers behind him. (And I thought I had books.)

True, these bookshelves are in the homes of journalists, politicians, professors, scientists, and others considered as members of the elite. But still it sends a clear message to the rest of America and the world that the printed word in book form continues to have value.

Gays And Lesbians Were A Part Of "The Twilight Zone" Series

In one biography of television writer Rod Serling, it was stated that he was homophobic.If that was true, he obviously didn't let that keep him from hiring for his iconic science fiction/fantasy series The Twilight Zone those who were either gay or lesbian.

For example, Justis Addiss directed episodes for The Twilight Zone and Keogh Gleason designed sets for them. (Addiss's life partner was actor Hayden Rorke of the sitcom I Dream of Jeannie.)

Among gay and lesbian actors who appeared in the show were Richard Deacon, Agnes Moorehead, James Daly, James Milhollin, Alan Sues, and Cesar Romero.

So if Serling was homophobic, he was a benevolent homophobe.

Note: Today is the beginning of Black History Month. 

An Early Article On "The Twilight Zone"

Charles Beaumont (1929-1967), one of the writers on The Twilight Zone, wrote an article in Fantasy & Science Fiction magazine's December 1959 issue about the now classic sci-fi/fantasy CBS television series, which premiered on October 2, 1959.

Beaumont's article revealed the initial resentment of people in the sci-fi community toward the show's creator, Rod Serling (1924-1975), "the eminent TV writer," who they felt was "an outsider." After Beaumont met Serling, he learned of Serling's "love [for] science fiction and fantasy." And when he read the first nine scripts that Serling wrote for The Twilight Zone and discovered their high quality, "I knew," wrote Beaumont, "that Serling was an 'outsider' in terms of experience; in terms of instinct, he was a veteran."

As it turned out, wrote Beaumont, "a circle of excitement surround[ed] the show. People [actors, directors, writers] want[ed] to be associated with it." Furthermore, "Serling and his associates...[did] their best to make this a first rate production."

And as everyone now knows, their efforts created a memorable, revered, thought-provoking, and timeless anthology series of half-hour dramas that examined human nature. "The Twilight Zone," noted the entertainment website IMDb.com, "featured forays into controversial grounds like racism, Cold War paranoia and the horrors of war."

Beaumont's brief article, if it hasn't by now, deserves to be included as a foreword to a Twilight Zone book. It chronicles the attitudes and expectations about the series from someone who was there as an observer and a participant during its creation.

What's Your Choice--An Amusement Park Or A Museum?

I recently discovered a new television network called Dabl (seen in the New York metro area on WCBS, Channel 2.3). It focuses on lifestyles.

The first show I've seen so far is Doctor & the Diva. In their "This or That" segment, they asked this question: Would you prefer to be locked in an amusement park or a museum? Kimberley, one of the show's hosts, said she'd prefer to be locked in an amusement park because she'd be bored in a museum. Her co-host, Steve, said he'd prefer the museum.

Having spent many pleasurable hours in museums, that would be my choice, too. Museums offer so much to see, do, and learn, how could anyone be bored? Especially at New York's Metropolitan Museum of Art, my favorite, which is so large, with so many exhibits, you could spend the whole day there and not see everything.

A TV Program About Blacks In Latin America

In the fourth and final episode of historian Henry Louis Gates's PBS program, Black in Latin America, which dealt with the African diaspora in Mexico and Peru, Gates neglected to mention that the Mexican painter Diego Rivera had a black grandmother, per Langston Hughes biographer Arnold Rampersad.

Furthermore, it would be interesting to see if Gates does a  Black in Europe series on PBS. That would be an eye-opening program, revealing how much influence African descended individuals have had in various European countries throughout the centuries up to present times.

Note: Today is National French Fry Day!

Some Wise Words

In a 1950s Person to Person interview on television, the actress Gertrude Berg (of The Goldbergs TV and radio series), recounted to Edward R. Murrow, the host, a conversation between her character Molly Goldberg and Jake, Molly's husband: "One day, Molly," promised Jake, "we will eat from golden plates." To which Molly replied, "Jake, dear, would the food taste any better?"


Note: I hope everyone had an enjoyable Memorial Day weekend.

Classic TV Shows On YouTube

One advantage to watching YouTube is the opportunity to see, in whole or in part, old 1950s and 1960s  television shows, like the police dramas The Naked City and NYPD, Johnny Staccato, a half-hour drama starring John Cassavetes, and the one-hour social-issues drama East Side/West Side*, starring George C. Scott and a young, Afro-coiffed Cicely Tyson. (Some of the shows included commercials for cigarettes and other products.)

I was also able to see several opening and closing credit sequences (along with the theme music) from Perry Mason, Route 66, 77 Sunset Strip, The Naked City, and The Twilight Zone.

It was obvious that many of these episodes were taped off the TV and posted to YouTube. The logos of the cable channels appeared in the lower right hand corner of the computer screen.


*According to The Complete Directory to Prime Time Network TV Shows,1946-Present (Ballantine Books, 1979), the critically acclaimed East Side/West Side's "downbeat subjects proved deadly with viewers and it was dropped after a single season."

The Return Of "The Twilight Zone"

An update of the iconic sc-fi anthology series The Twilight Zone (1959-1964) will be available for viewers via the CBS Access streaming service, according to Browbeat, Slate's cultural blog. It will be executive produced by Jordan Peele, the director of the hit movie, Get Out. (At this writing I have not seen the movie yet.)

"Peele will be a great fit for a show that blends sci-fi and social commentary," wrote Marissa Martinelli on the blog.

I hope the reboot will be far superior to past Twilight Zone reboots that weren't as good as the original series created by Rod Serling, who wrote most of  the show's scripts.

One suggestion: There is a young African-American writer of  several horror/fantasy books named Brandon Massey, who lives in Georgia. When I was given his book, The Other Brother, to proofread I thought it was another badly written urban-lit book. I was taken by surprise by the quality of the writing as well as the fact that it was in the horror/fantasy genre. I admit that I have not read Mr. Massey's other books but I am looking forward to doing so. In the meantime, I hope Mr. Massey is considered for a writing job on the Twilight Zone reboot.

Spike Lee's Film Debut Cast, Where Are They Now?

There's been a lot of hoopla in the press about Spike Lee turning his 1986 debut film, She's Gotta Have It, into an updated, half-hour, ten-episode television series. (The show premieres on Netflix on Thanksgiving Day.)

We all know what became of Spike Lee, who played Mars Blackmon, one of Nola Darling's three boyfriends. But what about Lee's three co-stars--Tracy Camilla Johns (Nola), Tommy Redmond Hicks (Jamie), and John Canada Terrell (Greer)? Where are they today and what are they doing?

Since they helped make She's Gotta Have It a cinema classic, they deserve some attention, too. Maybe not as much as the actors who have taken over their roles for the upcoming series, but at least tell us what's happened to them over the past three decades.

Cherokee Bill, Wild West Outlaw

The first time I learned of the outlaw Cherokee Bill was in The Adventures of the Negro Cowboys by Philip Durham and Everett L. Jones (Bantam Books). The paperback edition was published in 1969.

Years later while watching on DVD an episode from Season Five (1961-1962) of  Have Gun Will Travel, Cherokee Bill's name was mentioned among the names of other outlaws by a character speaking to Paladin (played by Richard Boone). I replayed that part of the episode to confirm what I thought I heard. No further information about him was offered.

According to Durham and Jones, Cherokee Bill (1876-1896) "was part Indian, part Negro" and was "an outlaw who fascinated women, murdered countless men for fun and profit, and died on the gallows only a month after his twentieth birthday."

His criminality terrified the Indian Territory, today known as the state of Oklahoma.

Surprisingly, no one, as far as I know, has made a movie or a miniseries about him.

Rod Serling's Rejected Teleplay

Rod Serling's daughter, Anne, wrote a foreword to Mark Dawidziak's Everything I Need to Know I Learned in the Twilight Zone (Thomas Dunne Books/St. Martin's Press). It's a fascinating self-help book that reveals the life lessons to be learned in various episodes of The Twilight Zone, Serling's iconic science-fiction/fantasy television series that ran on CBS from 1959 to 1964.

Ms. Serling writes that the 1955 murder of  the Chicago teenager Emmett Till in Mississippi "profoundly affected my father." So much so that he wrote a television script called Noon on Doomsday, "his first attempt," she further writes, "to tell the story and it was turned down by the sponsors who were afraid it might offend their southern customers."

Lately there have been live telecasts on network TV of musicals such as Peter Pan and Hairspray. Wouldn't it be wonderful if one of the networks decided to air a live telecast of Rod Serling's rejected teleplay? It's probably as relevant today as it was back then.

Is There A Trump Sitcom In Our Future?

Entertainment Weekly's April 7/14, 2017 Double Issue is devoted to "Hollywood's Greatest Untold Stories," from the 1970s to the early 2000s. (A great idea!)

One of the stories is about the 1990 British sitcom Heil Honey, I'm Home! that was canceled after one episode. It became "the most controversial TV show ever" because it depicted Adolf Hitler and his wife living next door to a Jewish couple named the Goldensteins.

Geoff Atkinson, its creator, told EW that "I've never felt embarrassed by it, because I know the motives were good. If we were trying to make fun of the Holocaust, we'd deserve [the hate].I never felt we were trying to belittle that at all. But to not get it right, that was frustrating. It was fun, but it came at a price, and I wish I could do it again."

Atkinson also told the magazine this: "As we speak, somebody's probably writing a Trump sitcom. I would love to write a Trump sitcom." And I would love to see a Trump sitcom on TV. Maybe with Alec Baldwin as Trump. It would help us all get through the next four years. No doubt Trump would tweet up a storm complaining about it.