Stonewall 50 Commemoration At The New York Public Library

The Love & Resistance: Stonewall 50 exhibition is slated for viewing at the New York Public Library's Stephen A. Schwarzman Building, Fifth Avenue and 42nd Street, from February 14 to July 14, 2019. It will be on the third floor, in the Rayner Special Collections Wing & Print Gallery.

"This exhibition," announced the New York Public Library Now magazine (Winter/Spring 2019)," illustrates this history [of gay liberation] through the photographs of Kay Tobin Lahusen and Diana Davies, who captured the pivotal events of this era and changed the ways that LGBTQ people perceived themselves."

Love & Resistance: Stonewall 50 will also, continued Now, the library publication, feature "other items from the Library's vast archival holdings in LGBTQ history, including ephemera, periodicals, and more."

A Famous Photographer On Photography

"Photography takes an instant out of time, altering life by holding it still."--Dorothea Lange (1895-1965)

The Men Of The Vale

I'm looking forward to obtaining a copy of Thomas Roma's In the Vale of Cashmere (powerHouse Books, $30), a collection of photos of the landscape in the Vale of Cashmere in Brooklyn's Prospect Park as well as the black and Hispanic gay and bisexual men who frequent this popular cruising area.

I first learned of this book (and the Vale of Cashmere) when I saw a photo essay by Roma called "The Men of the Vale" that appeared in the Sunday Review section of the New York Times (October 11, 2015).

Roma, the director of the photography program at the Columbia University School of the Arts and a heterosexual, stated in his essay that he "photographed the landscape between 2008 and 2011 and introduced myself to the men I encountered. I'd ask them if I could make a portrait for a possible book....Many declined, but many said yes, and I was grateful every time they did."

In the Vale of Cashmere is Roma's tribute to his friend Carl, who died of AIDS in 1991 and was a frequent visitor to that section of the park.


An exhibition of Thomas Roma's photos can be viewed at the Steven Kasher Gallery, 515 West 26th Street, Manhattan, until December 19, 2015.

Photographing Poverty In America

Lining the stone wall outside the grounds of the Cathedral Church of Saint John the Divine in Morningside Heights, on the 110th Street side, is a gallery of a dozen photos, all of them in black and white, that were taken by photographer Matt Black. Between each group of three photos is a plaque with a quotation from an impoverished person from one of the towns visited by Black, like this quote from a worker in the strawberry fields of Santa Maria, California, in Santa Barbara County: "I had no shoes when I worked in the fields. I used to sleep by a tree. I barely made money for food." (Ten thousand people work in the strawberry fields of Santa Maria, earning $1.25 per box picked.)

These photos are reminiscent of those taken by famed photographer Dorothea Lange during the Great Depression.

Called "Geography of Poverty," Black, a native Californian, allows passersby to "see not only what America looks like to the 45 million living in poverty," notes the mission statement  posted on  the wall at the beginning and end of the photo exhibition,"but also that poverty is inextricable from issues of migration, land use, industry, and the environment."

"Geography of Poverty" is a project that Black and the cable news channel MSNBC have collaborated on. Most of the photos on display outside the church were taken in California, while the rest document poverty in such places as Hosmer, South Dakota;York, Pennsylvania; and El Paso, Texas.

One photo that was striking is of a long black arm wrinkled by age. Attached to it is a hand clutching the top of what looks like a sawed off telephone pole or tree. What really intrigued me is where the caption said the photo was taken--Allensworth, California, in Tulare County. I first learned of this town in a Washington Post article published more than twenty years ago.The article revealed that Allensworth was founded in the early twentieth century by African Americans, some of whom were teachers, doctors, and other professionals.(This is a part of California history I was never told about when I attended school in Los Angeles and its suburb Compton.) Today, according to the caption, the population is 451 and 54 percent of its inhabitants are living below the poverty level.

It is very fitting that these photos are on display where they are. Just a few feet away are a group of mostly homeless Hispanic men, who have formed a camp along the side of the church.

Also worth noting is the church's construction of two 15-story residential towers on its 113th Street side.The new buildings will have 320 luxury apartments and only 80 affordable ones; the church's first residential building was built about six years ago and faces Morningside Park, at 110th Street and Morningside Drive.

In 2012, plans to construct the two buildings sparked a neighborhood controversy and a petition drive* was started by area residents who feared that the buildings would block their view of the cathedral. Apparently the church administrators took heed. The buildings are now situated so that the cathedral, which is a tourist attraction, on the 113th Street side, can be viewed between them. Not a perfect solution, but better than not being able to see that side of the cathedral at all.

Could it be that the church administrators have self-consciously mounted this photo exhibition to remind their critics of their awareness of and concern for the poor, especially those who are literally at the church's doorstep each night?

*Disclosure: I live near the cathedral and signed a petition opposing the new construction.

Note: This is the full text of the previously abbreviated version.
Matt Black's photos can be viewed at www.geographyofpoverty.com.

Beautiful African Men

Anyone who doubts the beauty of the African male should check out the YouTube video  Beautiful African Men which is a series of still photos of men from various African countries (Ghana, Congo, Nigeria, etc.). The photo gallery is set to an uptempo soundtrack. The only celebrities whose names I recognize are actors Boris Kodjoe and Idris Elba. But, famous or not, all the men are worthy of a look. Black is indeed beautiful.

Breaking The Mental Chains Of Black Gay Self-Hatred

Like its predecessor, Men of Color, A Warm December, published in February [1992] by the Vega Press, offers something of interest to aficionados of each of the three genres it contains: poetry, illustrations, and photography. Also like the previous book, A Warm December, which is divided into seasonal sections, tries "to redefine the negative image [of black men] that's out there," said Lloyd Vega, the founder of the three-year-old press, "and do it in a sensual way. The books show that we're strong, compassionate; that we're lovers, brothers; that we can also be a friend, a confidante, and not a trick [illicit sex partner]."

The images found in A Warm December, contended Vega, are the very opposite of Robert Mapplethorpe's view of black men--sex objects with "the heads or arms cut off, dehumanizing us. No wonder people are afraid of us, envy us."

These pervasive negative images coupled with the dearth of books available about black gay men fueled Vega's determination to create his own publishing company. "One of my goals has been to publish new artists," said Vega, a 37-year-old Philadelphia architect, "and give them the chance that [writer-editor] Joe Beam gave me when he published an illustration by me in [the black gay anthology] In the Life." Among Vega's discoveries are w.e.s. and Jerome Whitehead, both of whom are in the new book. (A Warm December is #2 on the bookstore A Different Light/New York's bestseller list in the Men's Softcovers category.) After hearing them read their poems in a gay bar in Philadelphia, he told them he was impressed with the quality of their work and that he would like to include them in his upcoming anthology.

Vega (the name is an acronym for victory, empowerment, gratitude, assessment) sees his work as part of an ongoing effort to break the "mental chains" of self-hatred that afflicts many black gay men, self-hatred that manifests itself in black-on-black crime, drug addiction, and other self-destructive behavior. The Vega Press's chief mission is achieving  for black gay men "empowerment. It's about taking control of our images, showing black male images by black photographers for a change."

Future Vega Press projects include a book of short stories, two books of poetry, and a line of greeting cards. Each endeavor will echo the sentiments of one of Vega's poems: "Respect yourself, my brother,/for we are so many wondrous things."

Vega will be reading from A Warm December as part of "Outspoken: A Gay and Lesbian Literary Series" at the Nuyorican Poets Cafe, 236 East 3rd Street, Manhattan, on April 1 [1992].

This article was originally published in NYQ magazine (April 5, 1992).

On Being A Triple Threat: Black, Male, & Gay

In Our Own Image: The Art of Black Male Photography, edited by Vega (Vega Press, 88 pp.)

In Our Own Image is a coffee table book that looks at the black male through the lenses of seven black male photographers from the United States and England. The 90-plus black-and-white photos present these models in various poses and states of undress. These well shot photos are several notches above the pornographic, stereotypical images offered to consumers of Sierra Domino and other black male nude photography series: there are no shots of genitalia or explicit sex.

Nevertheless, the photos do not, as poet Carl Cook states in the beefcake book's forward, reveal any of the qualities he believes are inherent in black males: "physical presence, grace, beauty, inner psyche, and spiritual persona." In fact, if straight people were to browse through the book, the nudity (which takes up most of the book), would reinforce their notion that gay men are sex-obsessed. It would have been better if the photographers had broadened their perspective and given us photo-essays that truly showed black men in most, if not all, of their eye-catching, exhilarating  diversity--especially since this book's homoerotic images are specifically aimed at a gay audience.

In Our Own Image's editor, Vega, could have used poet/novelist Langston Hughes and photographer Roy DeCarava's 1955 book, The Sweet Flypaper of Life as a model. In that book, Hughes's words, along with DeCarava's photos of actual people, formed what has been called a "fiction-document" that tells the story of one Harlem family. Through such a forum, In Our Own Image would have been much more effective in telling potential buyers what it means to be a triple threat in this world: black, male, and gay.

This review was originally published in the Lambda Book Report (May/June 1993).