Donald Byrd, 40, who "had always wanted to [dance]" but got started late (in his late teens), formed his own dance company--Donald Byrd/The Group--in 1978 in Los Angeles where he decided to stay after touring there as a member of Gus Solomons, Jr.'s company. Five years later, he made the move to New York because L.A. had "no sense of community, no support for the arts. I felt isolated from other people, from other artists."
Since then the North Carolina-born, Florida-reared choreographer's critically-acclaimed, issue-oriented dance works have been set on companies such as the Alvin Ailey American Dance Theatre (which premiered Shards last year at the City Center [in New York]) and the Minneapolis-based Zenon Company.
Also a teacher, Byrd hopes to build a school and performance space through the Donald Byrd Foundation, established in 1985, as a way for him to repay the theatre world "which has given me a lot." He sees the school as "a place where kids can come in and do the kind of work that I see is important work."
Shortly before a one-week tour of Hungary and Yugoslavia, Donald Byrd/The Group performed a children's program on August 11 [1989] at the Harlem School of the Arts. They will next participate in the Black Choreographers Moving Toward the 21st Century dance festival scheduled for San Francisco (November 1-12) and Los Angeles (November 12-19). [These were 1989 dates.]
This article was originally published in the New York Amsterdam News (November 25, 1989).
Showing posts with label Donald Byrd. Show all posts
Showing posts with label Donald Byrd. Show all posts
Saturday, January 4, 2014
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