One book that should be optioned for a motion picture, if it hasn't already, is The Swans of Fifth Avenue by Melanie Benjamin (Delacorte Press, 2016). This page-turner, which gives the reader a fly-on-the-wall view of events, is a fictionalized account of Truman Capote's befriending and betrayal of five wealthy Upper East Side women-- he called them his swans-- including Barbara "Babe" Paley, the wife of William Paley, the founder of the CBS broadcast network, and the swan with whom Capote had the closest relationship.
Capote wrote a short story called " La Cote Basque, 1965" that was published in 1975 in Esquire magazine. The story revealed the secrets of the aforementioned women. These secrets were told to him with the belief that he would keep them confidential. When he didn't, they felt hurt and betrayed and as a result they shut him out of their lives. Capote never recovered from this ostracism.
It's too bad the late Philip Seymour Hoffman isn't around to reprise his portrayal of Capote in a possible film adaptation of The Swans of Fifth Avenue.
Note: The New York Times ran a story by Joseph Berger with the headline, "Cote Basque, A Society Temple, Is Closing" (September 18, 2003) that described the restaurant as "the high-society temple of classic French cuisine [located in Manhattan] that became the setting of a catty and thinly veiled excerpt from an unfinished novel by Truman Capote...."
Showing posts with label Truman Capote. Show all posts
Showing posts with label Truman Capote. Show all posts
Monday, April 30, 2018
Thursday, April 16, 2015
Three Milestone Events To Revisit
This year marks the 60th anniversary of the murder of Emmett Till in Mississippi, the 50th anniversary of the Watts Riots in Los Angeles, and the 30th anniversary of the police killing of the 17-year-old Harlem honor student Edmund Perry, a case which became the subject of a nonfiction book and a 1991 TV movie called Murder Without Motive: The Edmund Perry Story. This would be a good time to commemorate these events by reading books written about them.
Two books I own and plan to read are Rivers of Blood, Years of Darkness by Robert Conot (Bantam, 1967), which is about the Watts Riots and Best Intentions: The Education and Killing of Edmund Perry by journalist Robert Sam Anson (Random House, 1987).
The Chicago Tribune called Conot's book "something Capote's will never be--a work of potentially historic importance." The reviewer was probably talking about Truman Capote's crime classic, In Cold Blood.
Two books I own and plan to read are Rivers of Blood, Years of Darkness by Robert Conot (Bantam, 1967), which is about the Watts Riots and Best Intentions: The Education and Killing of Edmund Perry by journalist Robert Sam Anson (Random House, 1987).
The Chicago Tribune called Conot's book "something Capote's will never be--a work of potentially historic importance." The reviewer was probably talking about Truman Capote's crime classic, In Cold Blood.
Wednesday, June 4, 2014
Touring Across The Soviet Union
"[Maya Angelou] won a role in a touring production of Porgy and Bess and performed in 22 countries from 1954 to 1955," writes Elaine Woo in her Los Angeles Times obituary (May 28, 2014) of the world-renowned poet and memoirist.
That sentence brought to mind Truman Capote's 1958 nonfiction book, And the Muses Were Heard, in which he chronicled the activities of a troupe of African American actors traveling across the Soviet Union by train to perform Porgy and Bess. I'm certain that Maya Angelou, not mentioned by name, was one of the actors on that trip. The timeline seems to fit.
That sentence brought to mind Truman Capote's 1958 nonfiction book, And the Muses Were Heard, in which he chronicled the activities of a troupe of African American actors traveling across the Soviet Union by train to perform Porgy and Bess. I'm certain that Maya Angelou, not mentioned by name, was one of the actors on that trip. The timeline seems to fit.
Wednesday, December 31, 2008
A Few Words From Truman Capote
"...how can a writer successfully combine within a single form--say the short story--all he knows about every other form of writing? For this was why my work was often insufficiently illuminated; the voltage was there, but by restricting myself to the techniques of whatever form I was working in, I was not using everything I knew about writing--all I'd learned from film scripts, plays, reportage, poetry, the short story, novellas, the novel. A writer ought to have all his colors, all his abilities available on the same palette for mingling (and, in suitable instances, simultaneous application)."
--Truman Capote (1924-1984), Music for Chameleons: New Writing by Truman Capote
(New American Library, paperback, 1981)
--Truman Capote (1924-1984), Music for Chameleons: New Writing by Truman Capote
(New American Library, paperback, 1981)
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