Black Movies That Should Be Made

I'm hoping that the following proposed black film projects will finally get made:

1. About thirty-two years ago, one of the New York tabloids announced that there was a proposed film about dancer/choreographer Arthur Mitchell under consideration. I think it was supposed to be a docudrama that followed Mitchell from his early life in Harlem to his ascendancy to becoming the first black male principal dancer with the New York City Ballet to his co-founding of the Dance Theatre of Harlem shortly after the assassination of Dr. Martin Luther King, Jr.

2. The Billy Strayhorn biopic, based on Lush Life, David Hajdu's biography of the composer and Duke Ellington collaborator (Farrar, Straus & Giroux, 1996). The author's name is pronounced Hay-doo.

3. A film about Philippa Schuyler, the child piano prodigy and the biracial daughter of the Harlem Renaissance writer George Schuyler. She was later killed in May of 1967 in a helicopter crash while working as a journalist in South Vietnam. In the 1940s, Joseph Mitchell, a staff writer at The New Yorker, wrote a lengthy article about her when she was a child. It was included in his collection, Up in the Old Hotel, and Other Stories (Vintage Books, 1993). Alicia Keys, herself a piano prodigy, was chosen to portray Philippa.

4. Spike Lee's plan to film a story about the 1938 boxing match between Joe Louis and Max Schmeling.

5. The director Ryan Coogler (Black Panther and Fruitvale Station) and the actor Michael B. Jordan's  desire to make a movie about Mansa Musa, the king of Mali, who died in 1337.

The Film Actresses Directed By Dorothy Arzner

I wrote a review of Directed by Dorothy Arzner by Judith Mayne (Indiana University Press, 1994) that originally appeared in a monthly book review column that I wrote for the Manhattan Spirit, a weekly New York newspaper. The book, a biography of Dorothy Arzner, the pioneer lesbian film director (1900-1979), was published in the paper's January 12, 1996 issue. (I subsequently published it as a blog post in this blog on October 9, 2010).

Because of space limitations and the fact that the column consisted of three book reviews, I wasn't able to point out at the time that Arzner directed films that starred Clara Bow, Rosalind Russell, Joan Crawford, and Katharine Hepburn.

I neglected to make the correction in the blog post. If the review ever gets republished in a print publication, like a book, I will make sure to include that important information.

In the meantime, I hope to persuade a cinema art house in New York like Film Forum to screen a retrospective of Dorothy Arzner's films. Among her films I would like to see are Christopher Strong (RKO, 1933), starring Katharine Hepburn and Craig's Wife (Columbia, 1936), starring Rosalind Russell.

A Need For Television Challengers

One of my favorite movie scenes is the one in Annie Hall (1977) in which Woody Allen and Diane Keaton are standing on a movie line and behind them is a know-it-all guy pontificating to his girlfriend on the theories of the Canadian communications theorist Marshall McLuhan (1911-1980). 

Allen goes off screen for a second. When he returns, he has McLuhan with him. McLuhan immediately tells the guy he doesn't know what he's talking about.

I sometimes wish there was a Woody Allen character or characters who would go on camera on one of these talking heads TV shows to challenge hosts and guests about the efficacy of COVID vaccines and the lethality of COVID. The information given seems to be one-sided.

We Shouldn't Cherry-Pick History

 The News Briefs column in the January 17-23, 2003 issue of the Gay City News had an item headlined "We Don't Want Him." The him being referred to is none other than Adolf Hitler. The news brief, written by Andy Humm, announced that HBO was "developing a documentary called The Pink Fuhrer" that explored "whether or not Adolf Hitler was homosexual." 

Seventeen years later, the film, which I have not seen, should by now be available on DVD. I would like to see it to judge for myself if what is discussed is credible.

The thing that interests me more is the headline--"We Don't Want Him" instead of "Was Hitler Gay?" I can understand the urge to reject Hitler because of his genocidal, anti-Semitic pronouncements and behavior. But if he was a closeted homosexual, then he becomes part of gay history, like it or not.

Gay history has the tendency to celebrate only those deemed the good guys while ignoring those identified as villains like J. Edgar Hoover, Roy Cohn, Cecil Rhodes, and the murderers Leopold and Loeb.

If we're going to study gay history, it should be studied like all other histories, warts and all; the good, the bad, and the ugly; the sacred and the profane. By sanitizing and cherry-picking history, it becomes distorted and valueless. Looking at history in its fullness makes it possible for us to more accurately analyze and evaluate people, attitudes, actions, and events.

We can't do that if we hide the historical record. The history exists and we have to deal with it.

The Black Panther Sequel Arrives In 2022

According to the website Deadline.Com, Black Panther 2 will be in theatres on May 6, 2022. So mark your calendars. The first one grossed $1.35 billion at the box office worldwide.

I thoroughly enjoyed Black Panther and I'm looking forward to seeing the sequel.








According to the website Deadline.Com, Black Panther 2 will be in theatres on May 6, 2022. So mark your calendars. The first one grossed $1.35 billion at the box office worldwide.

I thoroughly enjoyed Black Panther and I'm looking forward to seeing the sequel.
















                                                                                                                           
                                     

           
                                                                                   






                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 

                                                                                                                                                               

A Warning Against Film Piracy

The most memorable DVD "FBI Anti-Piracy Warning" was the one I saw before the start of the 1945 film And Then There Were None, which was based on an Agatha Christie mystery novel, and starred Barry Fitzgerald. In this warning, a computer-generated image of a man is seen in prison stripes walking forlornly into a prison cell. The cell door slides shut, the scene blacks out briefly. He is next shown sitting on his prison cot, head in his hands. Then the "FBI Warning" message crawls up the screen as a mournful harmonica is heard throughout the segment.

If that doesn't send home the message that film piracy has serious consequences then nothing will.

The Return of "Native Son" (On Screen)

Another screen version of Richard Wright's 1940 best seller, Native Son, is scheduled for release, per Entertainment Weekly ( Fall Movie Preview, Special Double Issue, August 17/24, 2018). It stars newcomer KiKi Layne, who presumably plays Bigger Thomas's girlfriend Bessie and Ashton Sanders (Moonlight), who presumably plays Bigger. No other information about the production was provided.

Previous versions came out in 1986 and 1950. The latter version starred Richard Wright himself as Bigger Thomas. (Clips from that film appeared in a public television documentary about Wright.)

Of the 1986 version, Leonard Maltin's 2006 Movie Guide called it "an OK melodrama" and criticized its "deliberate alterations and softening of some of the novel's key plot points and themes." (Oprah Winfrey appears as Bigger's mother.)

The new film will probably be more graphic in its depiction of Bigger's accidental killing of Mary Dalton, the daughter of his white employer and the subsequent disposal of her body in the basement furnace.

James Baldwin's "Beale Street" Novel Slated For The Big Screen

At the 56th New York Film Festival (September 28-October 14), to be held at the Film Society of Lincoln Center, there will be a screening of If Beale Street Could Talk, director Barry Jenkins's film adaptation of James Baldwin's novel of the same name. (Jenkins's last film was Moonlight, which won the Best Picture Oscar in 2017.)

The film, reported amNew York (August 8, 2018), is about "a young African-American man in 1970s Harlem who is arrested and convicted for a crime he didn't commit." (Could this be another Oscar contender in the fall?)

I've never read the book and may have a copy of it. If I do, it's probably buried among the hundreds of books I own. I may just buy a copy and read it before the film is released nationwide. It's slated for release on November 30.

A Hollywood Romance Story

On the table in front of the Harlem Children's Zone's Baby College on Seventh Avenue were several books, all offered for free. A sign in the window cautioned passersby to limit themselves to one book.
I chose Audrey and Bill: A Romantic Biography of Audrey Hepburn and William Holden by Edward Z. Epstein, a celebrity biographer. To my surprise it was an "Advance Uncorrected Proof" for a book published last month (April). I seldom come upon free books published that recently.

Hepburn and Holden's short-lived romance, which began when they co-starred in Billy Wilder's Sabrina, should be fascinating reading.

Denzel Washington To Play Thelonious Monk On The Big Screen

Denzel Washington has played several real-life people on the big screen: South African activist Steven Biko, boxer Ruben "Hurricane" Carter, and Black Muslim orator Malcolm X, to name just three roles. AARP The Magazine (December 2014-January 2015 issue) in its "Big 5-Oh" feature on the back page, which celebrates celebrity birthday milestones, reports that Washington "hopes to star as jazz legend Thelonious Monk." This wouldn't be the first time Washington, who turned 60 this month, plays a jazz musician. He had the lead role (as a trumpet player) in Spike Lee's 1990 flick, Mo' Better Blues.

Black Gay Hollywood

Kevin Thomas, Film Critic
c/o Editorial Dept.
Los Angeles Times
202 West 1st Street
Los Angeles, CA 90012

June 1, 2005

Dear Mr. Thomas:

In 1966, when I was living in California, I spoke to you on the phone about Montgomery Clift's final film The Defector, which you had reviewed. You sent me a black and white glossy of Clift*, which I still have.

It wasn't until years later that I learned that you are a gay man. I read some quotes from you in William J. Mann's Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910-1969. I also learned that you are very knowledgeable about the gay Hollywood luminaries of the past.

I recently reviewed Donald Bogle's Bright Boulevards, Bold Dreams: The Story of Hollywood for the Boston-based Gay & Lesbian Review. The book has some gay content. His book has inspired me to do research on Black Gay Hollywood. I would appreciate receiving whatever information you have concerning this segment of the Hollywood community.

One person I am particularly interested in learning more about is Joel Fluellen, a black gay actor, who appeared in such films as A Raisin in the Sun and The Learning Tree. According to Bogle, Fluellen was "a leader in the fight for better roles for African Americans." Did you ever meet him? If so, what was your impression of him?

I look forward to hearing from you.

Sincerely yours,
Charles Michael Smith


Note: I never received a response. Kevin Thomas may have been knowledgeable about Gay Hollywood, but as a white gay man, he may not have been as knowledgeable about Black Gay Hollywood.

*Montgomery Clift (1920-1966) was a gay man.