A Book About Kitty Genovese Murder

I recently received from the book publishing company, W.W. Norton, a review copy of Kevin Cook's Kitty Genovese, which is about the famous March 1964 murder of the young woman in Queens, New York. I'm looking forward to reading and reviewing it. It looks like a page-turner.

Exploring Racial Diversity In The Gay Community

Patrick Merla, Editor
New York Native
249 West Broadway
New York, NY 10013
June 15, 1984

Dear Patrick:

In August 1983 the Native published a supplement called "Harlem Rising." I contributed two pieces to it. It would be a good idea to bring the supplement back, possibly in August. However, this time I would like to be the guest editor. And instead of calling it "Harlem Rising," it should be called "Hue: Black Gay and Lesbian Supplement." The new name would underscore the fact that blacks range in color from very fair to very dark.

The supplement would contain five or six articles, covering a wide range of areas: politics, the arts, religion, etc. One article that I would try to include in the supplement is an address delivered by James Baldwin two years ago at the BWMT [Black and White Men Together] meeting that dealt with being black and gay (BWMT has the tape). There would also be photos and artwork.

I would like to discuss this with you either on the phone or in person because I think it is important for the Native to continue to deal with issues and events of concern to the black gay and lesbian community. I appreciate the Native's willingness to publish black-oriented articles. It shows that the paper realizes that not everyone in the gay and lesbian community is white and middle class. I am looking forward to a long association with the Native.

I hope the answer will be affirmative. I think this supplement will be better than the last one.

Sincerely yours,
Charles Michael Smith

Note: The Native published the supplement under my guest editorship. It was called "Celebrating Ourselves," a title novelist and poet Melvin Dixon (and supplement contributor) suggested to me. The supplement was published in October 1984. It did not include the James Baldwin address that I suggested. This was the first and only time that the Native published a poetry centerfold that was part of the supplement.

"Victoria Mix": Queer Cinema Comes To Harlem

For five days in November [1996], Harlem became not just a place filmmakers like Spike Lee come to when they have a movie to shoot. This time the world-famous community was the site of a film festival called "Victoria Mix" that showcased dozens of "queer African Diasporic film and video" in the elegant Victoria 5 Theatre on 125th Street, down the street from the Apollo Theatre.

The uptown screenings were part of the 10th New York Lesbian and Gay Experimental Film Festival, which had two other Manhattan venues screening different groups of films. (The film festival proudly claims to have "premiered more works by queer filmmakers of color than any other film festival in the world.") And for the first time, Harlem was the site of a gay and lesbian film festival, an historic event that Shari Frilot, the festival director, was "very excited about." Frilot, who is of African-American and Puerto Rican heritage, is  a filmmaker herself.

"Victoria Mix" consisted of more than 50 films and videos by both well-known and lesser-known filmmakers and was divided into eight programs" "Fire!" (the first evening of film, which was hosted by Gay Men of African Descent); "Harlem Stories"; "Let's Talk About Sex"; "The House That Identity Built"; "Oh Yes It's Ladies Night"; "Taboo Subjects"; "City Lore"; and "Family Drama."

On the night of the "Fire!" screenings, which like the other three programs I attended drew a small audience, there was the smell of smoke in the theatre;that seemed to emphasize the theme of the program. (There had been a fire next door a few hours earlier.) The program took its name from the 1926 Harlem Renaissance magazine co-edited by Langston Hughes and Wallace Thurman, in commemoration of "the same creative intensity" that has been passed down and continues to thrive within the current generation.

Of the 15 films I saw, the most noteworthy were: British filmmaker Isaac Julien's beautifully photographed, although at times didactic, feature-length study of race, sex,and class bias called The Passion of Remembrance (1985), Black Nations/Queer Nations? (1995), Shari Frilot's documentary of the March 1995 conference, One Moment in Time (1992), Felix Rodriquez's short film about an Hispanic drag queen's decision to have a sex change operation to please a straight? lover, and Remembering Wei Yi-fang, Remembering Myself: An Autobiography (1995), Yvonne Welbon's documentary about her six-year sojourn in Taiwan.

Frilot, who had three of her films in the festival, told me that she had "every intention of not making it our last year" at the Victoria 5 Theatre. In fact, she plans to do non-"Mix" business there as well.

This article was submitted to the New York Amsterdam News on November 18, 1996 and to Whazzup! magazine (Oakland, California) on December 31, 1996. Neither publication ran it.