RIP Wilbert Tatum

As a former freelance contributor to the New York Amsterdam News, I would like to offer my condolences to the family of Wilbert Tatum, the paper's publisher emeritus, as well as to its staff and management.

Big Harlem Retailers Need to Support the Black Press

The newly opened Harlem Furniture, on 125th Street between 5th and Lenox Avenues, is repeating the same mistake its predecessor, Bargain World, made. That mistake is failure to advertise in the black press. Both businesses however willingly advertised in the New York Daily News. Bargain World had been in that location for several decades and never saw fit to place a full-page ad in the Amsterdam News, which is just down the street.
I browsed through the pages of several recent issues of the Am/News and the New York Beacon and found ads from Con Edison, Macy's, HSBC, Wal-Mart, and radio station WWRL. Absent were ads from Harlem Furniture, New York Sport Clubs, Starbucks, Citibank, Raymour and Flanagan (another furniture retail outlet), among other businesses that have set up shop in the black community and expect its residents to patronize them. But these establishments neglect to support the black media that have served the black community longer than many of these businesses have been in existence. They need to be made aware of this woeful oversight. Black people don't only read the mainstream tabloids.

A Lawyer Explains His Profession

If you are thinking about hiring a lawyer, you should keep in mind the following words:

"...it's anger that drives us and delivers us [negligence lawyers]. It's not any kind of love, either--love for the underdog or the victim, or whatever you want to call them. Some litigators like to claim that. The losers.
No, what it is, we're permanently pissed off, the winners, and practicing law is a way to be socially useful at the same time, that's all. It's like a discipline; it organizes and controls us; probably keeps us from being homicidal.
Certainly we get paid well for it, which is a satisfaction, yes, but not a motivation, because the real satisfaction, the true motivation, is the carnage and the smoldering aftermath and the trophy heads that get hung up on the den wall. I love it."
--Mitchell Stephens, Esquire, The Sweet Hereafter: Novel
by Russell Banks (HarperCollins, 1991)

How Is the Health of the Black Press?

Looking through the articles regarding layoffs at and closings of newspapers and magazines across the country in media sites such as Mediabistro and Romenesko, there are no mentions of the black press. During good times, these publications have a hard time getting sufficient ad revenue. It would be interesting to find out how they are faring in this weak economy.

My Sweet Lorde

The following article, based on a telephone interview I did with the late poet Audre Lorde (1934-1992), was published in NYQ magazine, December 15, 1991. The magazine, later renamed QW, is now defunct. It was co-edited by Maer Roshan, who later edited New York and Radar magazines. I reprint the article in commemoration of Black History Month.


"Poetry," according to Audre Lorde, "is a weapon for change. I see it as one of the most subversive uses of language there is because we are in the business of altering feelings. As June Jordan said once, 'We're in the business of making revolution irresistible.'"
Although Lorde has lived for the last six years in the U.S. Virgin Islands, she returns to New York City regularly because her son and daughter are here and the cancer treatments she requires are unavailable in St. Croix.
When she lived on Staten Island, Lorde explains in a phone conversation from the Caribbean, "I was every day going to war. If you've been reading the papers, you know about the racial situation on Staten Island. It's gotten worse, from my understanding, since I left." In response, she has sought refuge in the relatively more sedate Virgin Islands. Racism, classism, homophobia, and sexism exist there, too, she concedes, "but on a different scale."
Her selection as New York's State Poet is, in Lorde's eyes, "a contradiction." She wonders what that appointment really means in a state where many see her, and those like her, as irreconcilably other. "In New York State," she says, "a black woman can be raped and her college-student attackers are freed, where attacks on lesbians and gay men are increasing. It's an intense contradiction. I see my function, the function of all poets, as attempting to learn the lessons of these contradictions and learning how to use ourselves to lessen them."
"Part of my work," Lorde concludes, "is to ask every person I come in contact with: 'How are you using yourself?' 'How are you doing your work?' 'How do you define yourself?' 'How are you using that self to fight for what you believe in?'"

she reads and reads: Giveaway of The Little Giant of Aberdeen County by Tiffany Baker

she reads and reads: Giveaway of <i>The Little Giant of Aberdeen County</i> by Tiffany Baker

A Few Words From Julius Lester

"A minute is so important and so many pass me, unused. I compare my aspirations and my abilities and realize: I am one person among billions living one life, about 65 years out of a million which have preceded mine and will come after. Yet I do not despair. My 65 can help shape the million to come."---Julius Lester, from his autobiography, All is Well (William Morrow, 1976).