Donald Byrd, 40, who "had always wanted to [dance]" but got started late (in his late teens), formed his own dance company--Donald Byrd/The Group--in 1978 in Los Angeles where he decided to stay after touring there as a member of Gus Solomons, Jr.'s company. Five years later, he made the move to New York because L.A. had "no sense of community, no support for the arts. I felt isolated from other people, from other artists."
Since then the North Carolina-born, Florida-reared choreographer's critically-acclaimed, issue-oriented dance works have been set on companies such as the Alvin Ailey American Dance Theatre (which premiered Shards last year at the City Center [in New York]) and the Minneapolis-based Zenon Company.
Also a teacher, Byrd hopes to build a school and performance space through the Donald Byrd Foundation, established in 1985, as a way for him to repay the theatre world "which has given me a lot." He sees the school as "a place where kids can come in and do the kind of work that I see is important work."
Shortly before a one-week tour of Hungary and Yugoslavia, Donald Byrd/The Group performed a children's program on August 11 [1989] at the Harlem School of the Arts. They will next participate in the Black Choreographers Moving Toward the 21st Century dance festival scheduled for San Francisco (November 1-12) and Los Angeles (November 12-19). [These were 1989 dates.]
This article was originally published in the New York Amsterdam News (November 25, 1989).
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