The Dance Theatre of Harlem announced January 31 [1990] that it has canceled its May concerts in New York because of a $1.7 million budget deficit. It is the first such cancellation in the company's 20-year history.
"We have had financial crises before," said Arthur Mitchell, DTH's artistic director and co-founder, "but never to this extent."
The current crisis, involving the layoff of the 55 dancers as well as technicians and a few administrative personnel, is linked to a series of domestic and foreign cancellations of performance dates. "Many of the sponsors that we are dealing with," explained Mitchell, in a telephone interview from Pasadena, California, where the troupe performed January 29-February 4 [1990], "are not private, commercial bookers. They are usually funded organizations themselves. They just weren't able to raise the money that they thought they would raise."
When the Dance Theatre of Harlem finishes up its tour--which will conclude in Washington, D.C. in March--the dancers will go on hiatus. At that point, they and other company personnel will be eligible for unemployment benefits. "If they can get other work," said Mitchell, "they are free to do that. They can teach, they can go to school, they can work in other areas. That's part of what Dance Theatre is about--preparing themselves for post-dance careers. But right now, the most important thing is that they should be dancing because that's what they are."
Despite DTH's financial situation, there are still long-range plans in the works, such as the building of office and dormitory space in the area surrounding the company's headquarters on 152nd Street, a project Mitchell calls "an Olympic Village of the allied arts here in Harlem." (The money, partly provided by the city, can only be earmarked for the capital expansion program.) And Mitchell still has his eye on the 1991 New York season. "Our fiscal year starts October 1. I hope that by that time, the monies will be available for us to continue. But you just don't stop planning."
This article was originally published in the New York Amsterdam News (February 17, 1990).
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