Saturday, July 13, 2013

Celebrating The Diversity Of LGBT Literature: A Talk With Charles Flowers

The 19th annual Lambda Literary Awards have come and gone. And it is anyone's guess as to which of the winners (books published in 2006) will eventually make it into the gay canon. But for the authors, publishers, and readers that is a judgment for another day. The focus of the event was solely on celebrating the breadth, depth, and excellence of contemporary LGBT literature.

In the wake of the presentation of the awards in 25 categories (Gay and Lesbian Fiction, Romance, Poetry, Erotica, Anthology, etc.) held this year in New York City on May 31, Charles Flowers, the executive director of the New York-based Lambda Literary Foundation, sees the awards as "giving readers an annual 'reading list' of what books to read, in case they're looking for suggestions" as well as serving as a guide for librarians and booksellers.

Plus, since, "it is a community-based award, coming from one's own 'people,'" continues Flowers, himself a poet and author with an MFA from the University of Oregon, "I think authors really love it and appreciate it." As the E.D., Flowers sees his main role as "directing the programs that Lambda has established--the awards, the [Lambda] Book Report, and now the writers retreat." The writers retreat is described in a published announcement as a one-week program of "intensive immersion in fiction, nonfiction, or poetry" that will run from August 5-12, 2007. The retreat will provide 22 participants with "workshops and a community of peer groups and mentors." Whereas, continues Flowers, in an e-mail interview, retreats like the famous Yaddo in upstate New York "are more individually focused in that you're not in workshop with other people or with a more established writer--you're there to work on your own."

To date, $10,500 has been raised for scholarships to the retreat. An additional $4,500 is needed.

For Flowers, these efforts "in some way try to connect readers and writers or help writers to improve their craft. A larger role would be to advocate for our literature, both its legacy and its future, and to build audiences for LGBT books."

When Flowers was selected as the E.D. in October 2005, Katherine V. Forrest, the president of the board of directors, stated in a press release that "[u]nder his leadership the Foundation will expand its role, becoming the dynamic and highly visible service organization our entire literary community deserves."

After a long period of financial hardship, which prompted suspending publication of the Lambda Book Report and the James White Review, the LLF, previously located in Washington, D.C., is now getting back on track. The move to New York made "a lot of sense," says Flowers, in view of the fact that the city is a hub of publishing and "because of the variety of literary culture [that it provides] such as readings and book signings. I try to go to as many as possible." In addition, there have been talks with one of the gay cable channels about televising the awards event. However, there is "nothing final yet," cautions Flowers, who served as a co-chair of the Publishing Triangle, an association of gays and lesbians in the publishing industry.

Without a doubt, the electronic smorgasbord available to media consumers these days--digital TV, the Internet,satellite radio, iPods, etc.--if used capably would go a long way toward improving the name recognition of the Lammys to LGBT and non-LGBT people alike. It would also encourage people to become readers and to explore worlds previously unknown to them.

To Flowers, who "didn't begin to read classic gay lit until college," it is "reading [that] is a richer experience than most of what other media offer." It was through the works of the novelist/essayist James Baldwin and the poets Adrienne Rich and Mark Doty that he discovered that as a gay person "I was not alone and could desire who I wanted to desire--[bringing about] validation, affirmation, celebration, a lot of what reading can offer" to the reader.

As far as what constitutes a gay or lesbian book, Flowers points out that "a book's eligibility depends on its content rather than the [sexual] orientation of the author. If a gay writer wrote a novel with no gay content, then it wouldn't be eligible for the awards."

Today's LGBT literary landscape has become in Flowers's estimation, "a reader's paradise," in which one can find books that are "excellent, thriving, inventive, entertaining, varied."

This article  was originally published in the Gay City News (July 5-11, 2007 issue).

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