True to its title, Face to Face, a two-act play which ran recently at the National Black Theatre in Harlem (in association with the Brooklyn-based Rainbow Repertory Theatre), bravely confronted four thorny issues within the African-American community: homosexuality, color-consciousness, sexism, and class, with a generous amount of humor thrown in to ease the tension.
The action of the play takes place entirely in the inner city Washington, D.C. home that Neal (Jeff A. Haskins), a black nationalist undergrad at Howard University, shares with Marcus (Raan Lewis), a religious homeboy.
When Neal's brother Sammy (Bryan Webster), who is about to graduate from Notre Dame, calls him from the airport to announce his arrival in town, Neal rebuffs his request to stop by. It's clear there is no love lost. One cause of the tension is Sammy's "theft" of Neal's girlfriend Hillary. Another source of tension is Sammy's reputation as the "boy wonder" of the family.
While waiting for Neal to come home, Sammy meets Marcus. They instantly take a dislike to each other because of class differences. When Catherine (Tia Sinclair), a light-skinned classmate of Neal and Marcus, enters the picture, she accepts Sammy's invitation to dinner. Neal hits the roof when he learns he has lost another girl to Sammy. After he finds some love letters in Sammy's bag addressed to a guy named Tim, he sees his chance for revenge.
During the confrontation with Neal, Sammy gets his second attack of stomach pains (AIDS-related?) which forces Neal to regard his brother with more sympathy. That sudden change of heart I found unbelievable, especially since the brothers, Neal in particular, have such deeply rooted animosity toward each other.
Near the end of the play, Sammy, with suitcase in hand, prepares to catch his flight back to Notre Dame. Before he can set foot outside the door, he and Marcus come face to face again. This time the confrontation has a murderous result when Marcus, a closet queen, discovers his true feelings for Sammy.
Although Bryan Webster's acting is a little wooden and he and Jeff Haskins look too old to be undergrads, you'll be too involved in the swiftly moving story to care, especially when Raan Lewis, a truly gifted actor, is on the stage.
This article was originally published in the New York Amsterdam News (November 21, 1991).
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment